West Anthony is one of the gentlemen behind the Auteurcast, a podcast that I recommend you check out.
from their site:
"The AuteurCast is a weekly podcast dedicated to
filmmakers, their movies and film criticism with an emphasis on indie,
foreign and art house films.
Each episode is one entry into an overall series of filmmaker
retrospectives. We examine essential, important, major and minor works
of interesting and pop culture filmmakers, whether that be the obscure,
early works from Paul Verhoeven, World Cinema in Zhang Ke Jia or
mainstream Hollywood fare of Zack Snyder. We encourage discussion,
debate and dissection but overall a reverence to Cinema around the
Barbara Stanwyck stars in this pre-Code picture about a girl from the wrong side of the tracks who falls for a wealthy guy whose mother does everything short of shooting her in the face to break them up. And I mean JUST short -- yes, the bitch pulls a gat on Stanwyck. If you were on the fence about the one percent before, prepare to be knocked over.
FOUR DAUGHTERS (1938)
This heartwarming film from Michael Curtiz, about a music professor (Claude Rains) with a bunch of daughters -- no points for guessing how many -- is notable for being the screen debut of John Garfield, whose 100th birthday is this year. Be sure to celebrate by watching a minimum of five John Garfield films in 2013!
A GUY NAMED JOE (1943)
I'd seen Always, the Steven Spielberg film that is a remake of this film, but I hadn't seen this film. Spencer Tracy is a WWII pilot who dies in combat and comes back as a ghost to help another pilot (Van Johnson). Irene Dunne is the love interest and Ward Bond is -- big surprise -- the sidekick, with the great name Al Yackey. The last of five collaborations between Tracy and director Victor Fleming.
WESTWARD THE WOMEN (1951)
This pretty great Western from William Wellman, about a wagon train of women on their way to an all-male ranch in desperate need of feminine companionship, is also about as startlingly misogynistic as it sounds, as least in the first half; later, as the women assert themselves, it takes some of the edge off. Think Mars Needs Women, except it's on Earth. And without Martians.
MONKEY BUSINESS (1952)
A Howard Hawks film with Cary Grant as a scientist who creates a formula that makes you act like a kid. It's pretty silly, and Grant acting like a dopey youngster was curiously unappealing to me, but many other elements of the film (like Ginger Rogers) were pretty good. Featuring an early performance from Marilyn Monroe, and Hugh Marlowe, the blandest man in American film.
LETTER NEVER SENT (1959)
This Russian film by Mikhail Kalatozov is a breathtaking masterpiece. A group of Russian geologists looking for diamonds in Siberia find themselves trapped in a nightmare of survival. A brilliant adventure with a jaw-dropping visual style. If you only see one movie on this list, you're a schnook. Wait -- I'm sorry, that was very rude of me, let me start over. If you only see one movie on this list, see this one. You schnook.
ESCAPE FROM THE PLANET OF THE APES (1971)
Until last year I had only seen the first of the five original Planet Of The Apes movies; after getting them all from Amazon for a ridiculous price, I enjoyed an Apes marathon one summer day whilst everyone else on Earth was at ComicCon, which they won't let me into anymore for some reason. (Yes, I do take it personally. Sue me.) This is the best of the four sequels. Directed by Don Taylor, who played Lt. Dunbar in Stalag 17.
FREEBIE AND THE BEAN (1974)
A noisy, rambunctious and, in our current cultural climate, utterly anachronistic action comedy from Richard Rush which is the prototype buddy cop picture. Every car in America was destroyed for this movie, which wasn't a problem at the time because we made more back then. Alan Arkin and James Caan are such a fun duo it's a wonder they didn't make a bunch more movies together.
THE WAR ROOM (1993)
A documentary by D. A. Pennebaker and Chris Hegedus about the Clinton presidential campaign of 1992. Great stuff, unless you're a Republican, in which case you'll probably just get annoyed, which is just a bonus as far as I'm concerned.
This remake of the Billy Wilder film from forty years before is actually really good. It remedies the problem I had with Wilder's picture -- namely, the casting of Humphrey Bogart and William Holden as the Larrabee brothers, which didn't really work for me. On the other hand, Harrison Ford and Greg Kinnear work just fine; of course, Julia Ormond is no Audrey Hepburn, but she does okay.
#1,007. Dracula's Daughter (1936)
11 minutes ago